user_mobilelogo

Join over 19,000 others and become a member of MyMusicTheory.com - it's free!

join for free

6th Sep 2023: Quizzes fixed, thanks for your patience.

This site is written by

victoria Williams Music Theory

Victoria Williams

LmusTCL BA Mus (Hons) MISM

Learn more...

book cover notes

 

We have 3001 guests and 6 members online

Video Courses by MyMusicTheory

Please note: this website is not run by the ABRSM and is a completely independent business.


Get the MyMusicTheory Course Book

Grade 6 Course

 
Next UK ABRSM Paper-based Theory Exams Grades 6-8:
Sat 17th June 2023 [Grades 1-5 now available online on demand]
Next UK Trinity Paper-based Theory Exams Grades 1-8 & diplomas:
from Sat 4th Nov 2023

Browse by Music Grade: Grade 1 | Grade 2 | Grade 3 | Grade 4 | Grade 5 | Grade 6 | Grade 7 | Grade 8 | DiplomasWhat Grade am I?

bs6Download this Grade 6 Music Theory Course or buy the Printed Book Version

Buy Grade 6 Theory Past Papers

Get some help!

A9. Figured Bass Rules Exercises

Grade 6 Harmony A9: Figured Bass Rules Exercises

Move your mouse slowly over the text or staves to reveal the answers (tap on mobile devices)

 

Exercise 1: Defining the Rules of Figured Bass

Choose the correct response(s) to complete the following sentences.

  1. "Voice leading" refers to the way notes are put together vertically to make chords/horizontally to make melodies
  2. In the soprano, the part should move mostly by an interval of a 2nd/4th/6th.
  3. In the soprano, repeated notes should be avoided/used frequently.
  4. In the soprano, the part should move in similar/contrary motion with the bass.
  5. In the alto and tenor, the part should move freqeuntly by unison/3rd/5th.
  6. Augmented melodic intervals are encouraged/best avoided.
  7. If, for example, the alto part rises higher than the soprano part, this is called oblique motion/crossing parts and it is allowed/not allowed.
  8. Whenever possible, the leading note should be followed by the tonic/dominant/supertonic.
  9. Consecutive 5ths occur when two parts are a perfect/augmented/diminished 5th apart and are then followed by another 5th using the same/different pitches.
  10. Apart from consecutive 5ths, consecutives are also forbidden with perfect 4ths/perfect octaves/major thirds.
  11. The interval between the soprano and alto parts should never be more than a 6th/7th/octave.
  12. In a major 5-3 chord, the best note to double is normally the root/3rd/5th of the triad.
  13. In a diminished 6-3 chord, the only note you can double is the root/3rd/5th of the triad.
  14. In a 6-4 chord, the only note you can double is the root/3rd/5th of the triad.
  15. In almost all cases, the most unsatisfactory note of the triad to double is the root/3rd/5th.
  16. The mediant/subdominant/leading note should never be doubled.
  17. The only note of the triad that can be omitted from a chord is the root/3rd/5th.
  18. The only note of the triad that can be tripled in a chord is the root/3rd/5th.

 

 Exercise 2: Spot the Errors

In each of the following bars, a rule of figured bass has been broken (not a guideline). Identify one error in each bar (do not count a repeated soprano note as an error). In the answers, the letters S, A, T and B refer to the Soprano, Alto, Tenor and Bass notes respectively.

 rules-figured-bass-1 0 0rules-figured-bass-1 0 1rules-figured-bass-1 0 2rules-figured-bass-1 0 3rules-figured-bass-1 0 4

rules-figured-bass-2 0 0rules-figured-bass-2 0 1rules-figured-bass-2 0 2rules-figured-bass-2 0 3rules-figured-bass-2 0 4

 

 

now on amazon topbanner normalamazon logo