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Grade 5 Exercises

Grade 5 Past Papers

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until the next UK ABRSM music theory exams: 3rd March 2012.

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3. Time Signatures Exercises
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Grade Five

Grade Five Music Theory - Lesson 3: Time Signatures Exercises (UK)

Click here to read this page with US terminology (e.g. "quarter note" instead of "crotchet").

 

Point your mouse at the staff, text or time-signature to reveal the answers.

Time Signatures - Exercise 1

Give each of these time signatures its technical name (e.g. "compound duple"):

 

  1. 2-8
  2. 12-16
  3. 5-8
  4. 9-4
  5. 3-2
  6. 7-4
  7. 4-2
  8. 6/16



Time Signatures - Exercise 2

3/2 represents 3 minim beats per bar. 6/4 represents 2 dotted minim beats per bar. What do the following time signatures represent?



  1. 6/8
  2. 9/8
  3. 4/4
  4. 5/8
  5. 12/8
  6. 2/2
  7. 7/4
  8. 3/4

Barlines - Exercise 3

Put in the missing barlines in the following passages, which all begin on the first beat of the bar:

  1. Put in the missing barlines 1
  2. Put in the missing barlines 2
  3. Put in the missing barlines 3
  4. Put in the missing barlines 4



Time Signatures - Exercise 4

Look at the following extracts and decide if the time signature is simple, compound or complex , then write in a suitable time signature. Which notes help you to decide?

1. What's the time signature 1



2. What's the time signature 2



3. What's the time signature 3



4. What's the time signature 4



5. What's the time signature 5



6. What's the time signature 6

Time Signatures - Exercise 5

  1. Which 3 simple time signatures can have a lower number 8 ?
  2. How can you tell the difference between 2/2 and 4/4?
  3. How can you tell the difference between 3/2 and 6/4?
  4. How can you tell the difference between 3/4 and 6/8?

 

Exercise 6

Rewrite the following without changing the rhythmic effect.

  1. Rewrite the following without changing the rythmic effect 1
  2. Rewrite the following without changing the rythmic effect 2
  3. Rewrite the following without changing the rythmic effect 3



Exercise 7

Rewrite the following without changing the rhythmical effect. State the number/type of beats per bar in each case, before you begin.

  1. Rewrite the following without changing the rythmic effect 4
  2. Rewrite the following without changing the rythmic effect 5
  3. Rewrite the following without changing the rythmic effect 6
  4. Rewrite the following without changing the rythmic effect 7

 



 
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